Thank you to everyone who supported our 2024 Artshow and made it so successful

 

Virus by Elizabeth (liz) Ports

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ARTIST NOTES: Grouted mosaic ball of 83cm circumference. Decorated with: ceramic shards and tiles; jewellery and jewellery fragments; brass, copper, steel and aluminium fittings and household objects. I spent ages on this, and it's my favourite mosaic piece. I was overjoyed that someone liked it enough at the Clare Art Show this year, to buy it. I experimented with grout here, carving it out very finely outside the bangles and texturing it elsewhere. I included some fabric dye with the grout, which gave it a faint purplish bloom in places, which helped to make the work look more like an ancient space relic. Because it's worked all over the surface, you can lift it from the stand and rotate it to make it look different. Each of the bangles encases a little world, with the cup handles spanning some of them like part of mysterious machinery. I wanted this work to look like old, abandoned space junk from an unknown culture and life form. My favourite bit is a piece of logo from my old toilet I got the plumber to save when he had to remove it in pieces as it was so well concreted in. My house was built in 1948 when resources were short after the war, and the toilet looks much older, and was obviously recycled. I got him to try to break off the writing in one piece, but it came out in a couple. I don't know why it had pyramids as part of the design. The other bit I really like is the metal cupboard air-vent which has a tiny marble bowl glued under it, so it's an interesting cavity. I couldn't do this sort of thing with my other large balls which are based on old basketballs but this one is a unique recycled large styrofoam ball I found on a nature strip with other Christmas junk, so I could carve recesses into it before I sealed the surface, ready for gluing. I think this is the best mosaic I ever made.

DIMENSIONS (Height - 27.00 cm X Width - 27.00 cm )
MEDIUM ON BASE None Entered
GENRE No Genre Entered
REGISTERED NRN # 000-38326-0161-01
COPYRIGHT © Elizabeth (liz) Ports
PRIZES AND AWARDS No Awards
STATUS
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Artist: Elizabeth (liz) Ports



ARTIST BIO

OLD EMERGING ARTIST TRYING TO BECOME FULLY EMERGED BEFORE DEATH OVERTAKES HER ...

c.v. Elizabeth Ports: Master of Education (Study of Asia) Flinders University, 2010.  B.A. University of Adelaide, 1976. Graduate Diploma in Teaching, Adelaide C.A.E., 1977. In 2019 have begun a fine art degree at Adelaide Central School of Art and will finish qualifying for an associate degree by the end of 2023, and hope to gain a Bachelor of Visual Art by the end of 2024.

In 2014 I completed two WEA courses in Mosaics and have continued experimenting since. I rummage through Hard Rubbish, collecting bits of broken light fittings, broken china, etc. Friends give broken crockery and the balls from deodorants bottles, old basketballs and terra cotta pots. as the base for some of my balls, and decorate the many terra cotta plant pots. Some of the found objects have been lamp bases and I've mosaicked them and had them rewired at a light shop. I like using found objects and a mixture of junk and materials of higher value such as semi-precious stones. I'm using exploring ideas such as 'What is rubbish? What is worthwhile?' in my art. I am fascinated by ambiguity in colour and form and creating subtle rhythms in forms.

I exhibited a mosaic mirror at The Floating Goose in the group 'Salon Hang', 2014. Solo exhibition and sales via Art@thelibrary, Hindmarsh Library cabinets, 2015. Mirrors, plant pots and balls. Three mosaic mirrors sold in The Port Art Show, 2016.Display cabinet of pots, balls, vases, candle stand, table lamp base, and instillation, and eight mosaic mirrors hung on wall nearby in 'It's Getting Hot in Here' Climate Change Exhibition curated by Azzuro in Raj House, the home of FEAST during The Fringe, 2017. Two balls and a lamp base chosen for international digital gallery ArtistTable's show 'Woman 2017'. 

In 2016 I joined several oil painting classes led by the professional, internationally acknowledged oil painter and marvellously gifted and experienced teacher Margaret Slape-Phillips and have continued learning from her. I'm particularly drawn to impressionistic methods, to making messy paintings that make sense when you stand back. Often I'm drawn to modest subjects such front fences and yards which are not manicured.I attended two fun afternoon acrylic workshops with Sheryl Morgan. 

For up to a year I organised and curated the 'Torrens to Torrens Perspectives' Art and Photography Exhibition, held between the 5th April to 29th June, 2018, in the Hindmarsh Library. It had sixty-five works which reflect on various aspects of the major on-going road project in my area. Some of the works are based on the photographs I took by myself and with the amateur road and rail historian and writer, Graeme Dorling, from 2014. So far approximately 15% of the works sold. Most artists are using these to respond to, or the photos taken by professional-level photographers or their own. 

In 2018 I enjoyed the drive to Clare to drop off three mosaic balls for their art show, and was thrilled when the most experiental one, 'Virus', sold for $350 to one brave person. Later someone I know from an oil painting class bought another more conventional one. The same person, a wonderful oil painter, the year before bought one of my balls for herself, then sort of commisioned me to make one for her sister-in-law. The commision terrified me, despite only being told that they liked red and bright things. Luckily the present was appreciated. I had six mosaic balls in the group exhibition 'Connections 2' at Pepper Street Arts Centre, and two sold. In July nine works in Pepper Street's SALA exhibition 'Waste not, Want not', pushing my experimentation with the use of industrial found objects, different grout colours and tints for the same object and a wider variety of materials including wood and plastic. I've also included a shaggy leather rug made from deconstructed Op Shop 1980's stone-washed grey leather jackets and a tiny violet jacket. It took forever to make, but I'm pleased with it. When you toss it on the floor you get interesting patterns. (Three works sold, and the rug is gracing my spare room.)

In the Walkerville Art Show the mosaic 'Retro Revolution' sold. I'm very lucky with my friends and neighbours on the Buy Nothing local site: sometimes I come home to find an exciting broken cup or plate they've left on my front bench!

In 2019 I started a Fine Art degree equivalent at Adelaide Central School of Art. I'm finding it all challenging, especially keeping up with the homework, but I'm enjoying it a lot and learning tons. I was taught non-representative painting by Christian Lock in first semester 2023 and had a breakthrough in my painting. Primarily I want to paint abstract art in future. I'm still making mosaics, and sold one in my School's student SALA show this year. I'm inspired by a range or artists, especially those featured in Central Gallery.